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Bang's version is true to the original: lyrical, politically astute, occasionally self-mocking, and deeply moving. In its time, the poem was stunningly new. The Inferno-the allegorical story of a spiritual quest that begins in a dark forest, traverses Hell's nine circles, and ends at the hopeful edge of purgatory-was also an indictment of religious hypocrisy and political corruption. She's matched Dante's own liberal use of allusion and literary borrowing by incorporating literary and cultural references familiar to contemporary readers: Shakespeare and Dickinson, Freud and South Park, Kierkegaard and Stephen Colbert. Bang has similarly created an idiomatically rich contemporary version that is accessible, musical, and audacious. Dante, a master of innovation, wrote his poem in the vernacular, rather than in literary Latin. from Canto I Award-winning poet Mary Jo Bang has translated the Inferno into English at a moment when popular culture is so prevalent that it has even taken Dante, author of the fourteenth century epic poem, The Divine Comedy, and turned him into an action-adventure video game hero. My vote is five.An innovative and fascinating new version of Dante Alighieri's Inferno as it has never been rendered Stopped mid-motion in the middle Of what we call a life, I looked up and saw no sky- Only a dense cage of leaf, tree, and twig. In the end, "Inferno" is absolutely forgettable. The romance between Langdon and Elizabeth Sinskey, performed by the unknown Sidse Babett Knudsen, has no chemistry. The plot point with Sienna Brooks is totally predictable and it was obvious that she had teamed up with Langdon to find where the virus is. Robert Langdon is a superman since he is wounded and with amnesia, but capable of run, jump over the walls, recalls details such as hidden passages and door in different locations etc. The screenplay is a mess and the camera work and edition are awful. But who can be trusted? "Inferno" completes the trilogy of Dan Brown based on the adventures of Professor Robert Langdon with a totally disappointing and predictable story. Soon the area is under siege of the World Health Organization (WHO) agents and the local police, including Vayentha, and Langdon and Sienna conclude that Zobrist has created a virus to annihilate the world's population. They contact the American Consulate but give the wrong address nearby the apartment. Langdon finds a Faraday pointer in the pocket of his jacket and when they project the image, they see the Map of Dante's Inferno by Sandro Botticelli. Out of the blue, a doctor tells that the police wants to interrogate him and a police officer, who is indeed the killer Vayentha (Ana Ularu), shoots the doctor but Sienna and Langdon succeeds to escape to her apartment. Sienna Brooks (Felicity Jones) explains that he has a head trauma cause by a bullet that scratched his head and he would recover his memory in a few days.
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In Florence, Professor Robert Langdon (Tom Hanks) awakens in a hospital with no memory of the last two days and with daydreams and dreadful visions. Zobrist believes that the Earth's population that has an exponential growth should be reduced in 50% to save the other 50%. The geneticist Bertrand Zobrist (Ben Foster) is hunted down by three men and commits suicide from the top of a tower in Florence.